Как писать промпты для Seedance 2.5: официальный гайд на русском

Realistic nature documentary style, natural lighting and shadows. On a warm afternoon, on a grassy slope in the forest, a chubby panda cub rolls down the hill.

The panda has fluffy, realistic black-and-white fur, a small round body, and clumsy, adorable movements. The scene is a green forest slope. The ground is covered with grass, moss, clover, soil, small stones, dry branches, and a few small yellow flowers. Tall tree trunks and dense woods are softly blurred in the background. The camera is a low-angle medium-wide shot with a slight handheld feel. The framing remains mostly stable, keeping the panda in frame at all times.

0s-3s: A panda cub lies on a green grassy slope, its body round and chubby. It begins to slowly roll sideways down the slope with clumsy movements, gently bending the grass beneath its body. A light breeze passes through, and sunlight filters through the trees from the upper left, creating dappled light and shadow.

3s-8s: The panda rolls toward the lower right of the frame and gradually comes to a stop, shifting from lying on its side to lying on its belly. Its round face turns toward the camera, and its front paws press into the grass. The panda lies in the foreground grass, adjusts into a comfortable position, slightly raises and lowers its head, and makes a soft little humming sound.

Low camera position, slight handheld feel, subtly following the panda as it moves toward the lower right. Natural depth of field: the foreground grass is slightly blurred, the panda remains clear, and the background forest is softly out of focus. Natural environmental audio only, including wind, rustling grass, and the soft plop of the panda rolling. The overall mood is warm, realistic, and natural.

Asset binding: Storyboard - [Image 1]; bedroom - [Image 2]; Li Tian - [Image 3]; Li Qian - [Image 4]; the book Happiness - [Image 5].
Shot 1:
[Wide shot, locked-off camera, rule-of-thirds composition] On a snowy winter night, inside a quiet bedroom, a man stands sideways in front of a floor-to-ceiling window with his hands in his trouser pockets, looking out at the falling snow. The girl stands beside him, quietly looking at him. The atmosphere is calm and restrained, with snowflakes continuously falling against the glass window.
Shot 2:
[Medium over-the-shoulder shot] The girl's back is in the foreground. The man turns his head and looks at her gently. The girl lowers her head slightly and remains silent. Snow continues to fall outside the window.
Shot 3:
[Medium close-up, diagonal composition] The man holds the book Happiness and slowly hands it to the girl. The girl raises her hand to take the book.
Shot 4:
[Close-up of the girl's face, centered composition] The girl holds the book tightly against her chest. Her eyes are red, tears slowly fall, and her expression is filled with sadness.
Shot 5:
[Close-up of the man's face, diagonal composition] The man smiles gently and quietly looks at the tearful girl, with sadness in his eyes.
Shot 6:
[Wide shot, locked-off camera] The girl turns around and slowly walks out of frame. Only the man remains, standing alone in front of the window with his hands in his pockets, looking out at the snowy, windy night sky. The room feels empty and silent.

Use the 3D clay-model reference video <video1> as the only reference for the entire video's camera movement, shot rhythm, shot-size changes, subject motion trajectory, and camera blocking. Strictly preserve the shot order, camera position changes, movement patterns, and pacing of the 3D clay-model video. Do not change the shot structure, add new shots, or alter the subject's motion logic.

Using the keyframe reference images for each stage, generate a 30-second high-quality 3D animated short film. The overall style should be dreamy, fairytale-like, warm, and full of childlike fantasy. The character's appearance should remain consistent with the keyframes for each stage. Do not change the character design. The character's facial expressions and emotions should change naturally with the scene.

0-3s (first-frame reference: <2pic>): The shot starts from an overhead wide view and slowly pushes in toward a little girl on the floor. The girl sits on the carpet in her room, playing with a toy airplane. She stands up, turns left, and forcefully swings her right hand to launch the airplane. The toy airplane flies in an arc from left to right into the foreground. The sound gradually transitions from the sound of throwing a paper airplane into the engine sound of a real animated airplane, accompanied by gentle, soothing, cheerful background music.

3-5s (reference: <3pic>): The airplane flies from left to right through hanging star decorations in the room. The girl rides the airplane into a fantasy sky. A flock of birds flies across the foreground, creating a natural transition. The camera continues side-following and rotating.

5-8s (reference: <4pic>): The camera continues side-following and orbiting around the little girl. Throughout this segment, the girl keeps piloting the small airplane through a sea of sunset clouds. Around her, a flock of strange birds and giant mythic birds fly alongside her. The white dragon from the reference image swims forward through the air, a winged horse spreads its wings and flies, and a flying whale calls out. Floating islands appear in the background.

8-10s (reference: <5pic>): The camera orbits to the back of the airplane. The airplane slowly dives toward the sea surface. The girl falls into the water, creating many bubbles in the frame. She swims toward the deep sea, now wearing a bubble-shaped oxygen helmet.

10-19s (references: <6pic>, <7pic>): The girl continues swimming deeper into the ocean. Suddenly, a manta ray swims into frame and carries the girl forward. The camera continues following the manta ray and the girl as they travel through a dazzling underwater world. The girl looks amazed by the beautiful underwater scenery. The camera keeps pushing forward, revealing a huge space-time rift ahead. The area around the rift looks like broken mirrors, while inside the rift is a brilliant cosmic galaxy. The girl feels a little frightened, but is eventually pulled into the space-time rift and arrives in a fantasy universe.

19-23s (reference: <8pic>): The girl bursts out of the space-time rift into the fantasy universe, and her outfit changes into the spacesuit shown in the keyframe. Wearing the spacesuit, she jumps from one planet to another. She reaches out, leaps forward, and catches a glowing star. The frame freezes.

23-24s (reference: <9pic>): In the foreground, the girl and the planets begin to flip forward, gradually transforming and disappearing. In the background, the overhead view of the bedroom from the opening scene (reference: <1pic>) slowly fades in.

24-28s (reference: <9pic>): The overhead camera continues pushing in. The girl lies asleep on the carpet, still holding the star-catching pose with her hand. A toy airplane and a space-themed picture book lie beside her. Her Asian father enters the frame from the lower left and gently covers her with a blanket. The lighting slowly shifts from warm dusk light to cool moonlight at night.

28-30s (reference: <10pic>): The camera continues pushing in toward the picture book. The father enters the frame and gently closes the picture book on the floor with his right hand. The final frame freezes on the picture book.

Overall requirements: All visuals should reference the corresponding keyframes. The 3D clay-model video should only be used as a reference for camera movement, camera motion, shot rhythm, camera blocking, and character animation. Do not reference its visual content. The long-take transitions should feel natural and smooth. Actions should remain continuous, and character proportions and movement should remain consistent. Generate a 30-second video in a 16:9 widescreen format.

Render Video 1. No BGM; generate only environmental sounds and action sounds.

Rendering requirements: The background is a nighttime cyberpunk city in deep blue and purple tones, filled with dense skyscrapers. Huge holographic billboards and neon lights glow between the buildings. Several flying vehicles move through the sky, flashing faint lights and producing subtle mechanical sounds. The character is a small raccoon dressed in a black stealth suit, appearing mostly as a silhouette. Its footsteps are cautious and quiet. The character moves across the rooftop of one of the skyscrapers.

Image 1: Nine-panel storyboard reference, used for the overall shot structure, shot sizes, and camera-movement rhythm.
Image 2: Live-action reference of a rocket launch site on a dusk grassland, used as the benchmark for environmental composition, warm golden sunset light, cool twilight blue tones, and realistic color live-action texture.
Image 3: Subject 1 (guardian robot) character appearance reference.
Image 4: Subject 2 (elderly grandmother) character appearance reference.

[Subject settings]
Subject 1 (guardian robot): Refer to Image 3. A near-future weathered retro robot with an aged blue-green metal body, mottled rust, a domed head, two glowing red circular camera eyes, thin antennas, and slender articulated limbs. It is very tall, about twice the height of a human.
Subject 2 (elderly grandmother): Refer to Image 4. A frail elderly woman with silver hair tied into a low bun, deep wrinkles, wearing a bright golden floor-length dress with gold-and-blue embroidered details on the chest. Her expression is full of reluctance and sorrow. Her height only reaches the robot's chest.
Environment (dusk grassland launch site): Refer to Image 2. A near-future grassland at dusk, with the sky gradually shifting from warm gold to cool blue. On the distant horizon, a launch tower stands with a white rocket, steam rising around it. Knee-high wild grass sways in the wind across a vast, open landscape.

[Overall style]
Live-action color cinematic film, realistic photoreal texture, full-color visuals throughout. Color 35mm film look, fine realistic film grain, rich cinematic color grading, IMAX large-format feel. Handheld cinematography with breathing-like camera shake, shallow depth of field, wide aperture, continuous drifting foreground grass, sparks, and ash. Slight Dutch angle. Strong contrast between warm golden sunset light, cool twilight blue, and explosive warm orange. 16:9 horizontal frame. Near-future emotional disaster-film atmosphere: quiet, tragic, protective, and filled with reluctance.

[Strictly exclude]
Black-and-white, monochrome, grayscale, desaturated visuals; hand-drawn, sketch, line art, illustration, comics, animation; storyboard frames, rough sketches; tilt-shift miniature look, toy-like appearance, plastic CG, glossy overexposed CG.

[Shot list] (9 shots, approximately 30 seconds)
Shot 1 (0-3s): Extreme wide shot, ultra-low camera position close to the ground, looking upward, handheld camera slowly tilting downward. Refer to the grassland composition in Image 2. The dusk grassland feels vast and empty. Knee-high wild grass in the foreground sways out of focus, and warm golden lens flare sweeps across the frame.
Shot 2 (3-6s): Medium front shot with a handheld camera. The robot supports the elderly woman.
Shot 3 (6-10s): Facial close-up. The elderly woman looks reluctant to part. Dialogue (elderly woman): "Fly safe, my child. Come back to me."
Shot 4 (10-14s): Extreme wide shot tilting upward. The rocket rises with a thick white smoke trail. Dialogue (elderly woman): "There he goes... there he goes."
Shot 5 (14-18s): Extreme wide shot. The rocket explodes and breaks apart in midair. Dialogue (elderly woman): "No... no, no—"
Shot 6 (18-22s): Extreme facial close-up. The elderly woman's pupils contract and tears fall. Dialogue (elderly woman): "...he was almost there."
Shot 7 (22-25s): Close-up transitioning to a medium close-up. The elderly woman breaks down in tears. Dialogue (elderly woman): "Bring him back! Please—bring him back!"
Shot 8 (25-28s): Ultra-low-angle, nearly vertical upward shot. The robot embraces the elderly woman, forming a protective dome around her. Dialogue (robot): "Don't look up. I've got you."
Shot 9 (28-30s): Extreme wide rear shot. The two figures embrace tightly in silhouette. Dialogue (robot): "I'm still here. I'll stay... as long as you need." 

Create a one-shot vertical pixel-art wuxia-themed video based on @Image 1 to @Image 6. Use Chinese-style 8-bit wuxia background music. The entire video should use a unified light-blue background, consistent pixel-art style, and a clean, bright, transparent visual look.

Shot 1:
Hold on the ink-wash-style logo from @Image 1. The background is the unified light-blue color. Keep the frame still for about 1 second.

Shot 2:
After the text area from @Image 1 disappears, the pixel-art close-up face of the male wuxia character from @Image 2 slides in from the bottom of the frame. The character blinks and looks toward the camera, then quickly moves downward and exits the frame. After the character exits, the original logo area transforms into the blue pixel-art martial arts manual from @Image 3.

Shot 3:
Immediately transition to @Image 4. A small pixel-art wuxia character jumps forcefully upward from the bottom of the frame and hits the blue diamond-shaped question mark icon above. Bold dark-blue text pops out above the question mark icon. After landing, the character strikes the standing pose from @Image 4, then raises a hand to greet the viewer. Next, the character prepares to run, turns toward the right side of the frame, and runs to the right, with the running pose referencing @Image 5. The camera follows the character smoothly to the right, and the character jumps out of frame from the right side.

Shot 4:
The UI interface from @Image 6 slides into the frame from the right. The pixel-art wuxia character jumps in from the upper-right corner and lands at the lower-right side of the large date text. The character opens both arms in an enthusiastic presentation pose and freezes. The final frame holds on this composition.

Overall requirements:
Pixel-art wuxia visual style throughout, with a unified light-blue background tone. The camera movement should be continuous and smooth, presenting a one-shot flow with seamless position shifts and follow movement. Element transitions should feel natural, and character actions should connect smoothly. No stuttering, no flickering. Text and UI must remain clear and stable.

Preserve the composition, camera position, lighting, and performance rhythm of @Video 1. Only modify the female lead's appearance and expression: let her naturally age from her twenties to around sixty. The restraint in her eyes gradually softens, tears slide past the corners of her eyes, and the corners of her mouth slowly lift until she finally smiles through her tears. The entire video should be a continuous one-shot, with no jump cuts and no flickering. Her facial features should gradually age without drifting or changing identity.

Replace the two-person fight in @Video 1 with an empty-handed probing exchange before a cold-weapon duel.

Replace the scene with a medieval stone castle platform, an ancient courtyard, an outer platform of a mountain fortress, or a simple stone-brick duel arena. The background should include castle walls, wind, fog, distant mountain ridges, and a flat stone ground. Refer to @Image 1 for the environment.

Replace the man in dark clothing in the video with @Image 2, and replace the man in light-colored clothing with @Image 3. Keep the original actions and rhythm unchanged.

AI effects should only enhance the environment and texture: wind-blown clothing, light fog, a small amount of dust at contact points, cool metallic reflections, subtle film grain, and an epic color palette. The overall style should be restrained, realistic, and evoke a classic hardcore duel atmosphere. Keep the background music synchronized with the action beats.

Translate the spoken dialogue in the video into Chinese, with no subtitles. Precisely adjust the lip movements to match the translated speech, while keeping everything else unchanged.

Extend @Video 1 by 5 seconds. A bee flies in and lands on the flower. Then, in a macro close-up, its legs and abdomen are covered with golden pollen particles. The bee flaps its wings and takes off, and the camera follows it as it flies toward another flower of the same species. In slow motion, pollen shakes loose from the bee's fine hairs and falls precisely into the flower's stamen, magnifying the moment of pollination.

Select MOV as the output format.

Turn all images into a one-click video. The image order can be freely arranged. Generate a coffee shop vlog in a hand-drawn animated doodle cutout style, documenting the fun daily moments of a puppy wearing different cute outfits and taking photos at the coffee shop. Generate trendy, internet-style playful audio or BGM.

The images may move slightly, creating a live-photo effect, but do not alter the original images. Keep the visuals highly consistent with the original images.

Seamlessly connect [Video 1] and [Video 2]. At the end of [Video 1], the camera should quickly fly upward to the top, rapidly turn back, and then dive vertically downward, creating a natural seamless transition into [Video 2]. During the transition, the mahjong tiles gradually transform into high-rise buildings, and the entire scene changes accordingly. Do not alter the two uploaded videos themselves.